My work aims to pose questions and raise awareness about the influence of chemical companies on our food system.  A large part of my studio practice is uncovering information that has been concealed or distorted, often at the expense of public health.

The mediums of collage and text-based work have been ideal formats to shed light on problematic histories and hidden agendas. I appropriate corporate messaging to reframe industry narratives, underscoring the use of language as a tool for manipulation. 

Thematically, I have broadened my work to include projects dealing with surveillance, military engagement during the Cold War and language-based artworks utilizing text as a form of critique. My projects have a particular commentary in mind, yet giving the viewer space for an ambiguous reading or even an opposing view often leads to meaningful exchanges.



Genetically Commodified is an ongoing multi-disciplinary project (drawing, installation, sound) that investigates the consequences of introducing GMOs into our food supply. Through recent political and media discussions, familiarity with serious issues affecting our industrial food chain is steadily increasing. Genetically Commodified explores these issues within an artistic framework, working across mediums to create an integrated environment where the audience can consider the influence of GMOs.